Drums for Pumping Bass Music Tracks
Produce grooves with booming bass drums, frantic hi-hats and gritty snares
Trap, Grime & Dirty South
Beatmaker HUSTLE is your rhythmical fixer for bass music styles like Trap and Dirty South. On the money and ready to make a statement for all types of modern urban styles that need a dirty basement-shaking beat or gritty Grime groove laying down.
What’s in There?
MIDI Drag and Drop to DAW
Multiple Audio Outputs
Twice the Styles, Patterns and Drum Kits
Master Section featuring: Sweep, Saturate, Maximize, Multi-band EQ, Ambience
Turn up!
Make your production instantly sound like you’re rolling through Atlanta in a Lambo flexing your gold grill. The mix presets provide a great variety of sonic flavors that can be dialed in to your liking and make HUSTLE work for your mix, sounding authentic and fat, no matter what.
It’s a Trap!
Bass music genres are all about the beat – booming bass drums, frantic hi-hats and gritty snares. HUSTLE captures the spirit of the genre – sounds, patterns and mix. Get busy with a virtually unlimited combination of credible beats inspired by the legendary Roland TR-808.
Frustration-free design
Beatmaker HUSTLE benefits from the fail-free design mantra by ujam, meaning the learning curve is non-existent – just choose from one of 40 different styles and tell HUSTLE what part of the song you want to play – Intros, verses, choruses, you name it, HUSTLE has it covered.
Features at a Glance
The mix presets provide a great variety of sonic flavors that can be dialed in to your liking and make HUSTLE work for your mix, sounding authentic and fat, no matter what.
Signature sounds
Get creative and explore your own signature sounds by combining the different kits with HUSTLE’s professional mix presets and macro performance controls such as filter sweeps and ambience.
Special control: Bass Tune
Bass Tune – play fills, kicks & grooves with tonality. Trap wouldn’t be so braaaaah without that singing bass...
The Hard Facts
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私たちは、人々と音楽がお互いをよりクリエイティブに刺激し合えるためのソフトウェアを開発しています。
